Bernd Wilting founded taglicht media together with Uli Veith. As the CEO, he develops strategies for the company’s future and is also deeply involved with the content development and financing oft he company’s projects. Bernd Wilting represents taglicht media at national and international markets and is the one to get in touch with concerning new ideas for future projects.

Dr. Uli Veith founded taglicht media together with Bernd Wilting. His CEO responsibilities include making sure that taglicht media’s planning is financially sound. In many projects, he is also dealing with production management and controlling. He is the one to contact with regards to contracts and invoices.

Christoph Weber has now been working as a history and current affairs producer at taglicht media for 15 years. He develops documentary ideas for German TV but also the international market and supervises the productions’ progress closely – if he is not working on the films as an author and director himself. He is the brain behind many of our investigative history programs and has earned taglicht media a number of prestigious awards.

Dennis Wells is responsible for developing, funding and producing documentary series and one-offs for German and international audiences. He strives to find engaging stories and new ways of storytelling in the genres nature, science and history – or a blend thereof.

Johannes Backes is taglicht media’s most senior employee with 20 years of experience in the company, working as a script writer, director and producer on projects ranging from current affairs to nature documentaries. For some projects, he uses his ability as a film editor to work creatively and visually.

Mathias von der Heide joined taglicht media as an author and producer for German and international history and current affairs productions, which he closely supervises from a structural as well as content point of view.

Thomas Langelage joined taglicht media as a trainee and is now a producer for current affairs and history formats. He develops documentary ideas for German TV but also the international market, supervises the productions’ progress closely and directs some of the projects himself.

Dennis Koppetsch is researcher and project developer at taglicht media. His task is to filter relevant information for many of our documentaries as well as finding interesting stories and protagonists, which he uses to write compelling treatments.

Maren Boje is responsible for the content-related supervision of our film projects. Her tasks include working on the development of themes, finding suitable authors and directors, contacting the editorial offices of the commissioning broadcasters and supporting authors and directors from the development of the script to the acceptance of the finished product.

Anja Klisch is deeply involved in the strategic development of our projects and cooperates closely with our producers and partners. She calculates budgets, is responsible for controlling our projects and drafts and negotiates contracts.

Doris Offermann is an experienced production manager with 15 years of working at taglicht media. She is closely involved with all stages of production, from preparing shoots (contacting the team and getting shooting permissions) to postproduction and versioning. She keeps a tight grip on our schedules and makes sure the broadcasters and commissioning editors are provided with all material they need in time. Doris is the contact person for editors, graphics, voice over and narrators, composers, sound engineers and commissioning editors.

Lena Horn is deeply involved in the strategic development of our projects and cooperates closely with our producers and partners. Lena corresponds with broadcasters and editors about delivery contents and deadlines.

Céline Deligny is taglicht media’s archival producer and researcher. She is responsible for the company’s future oriented archive coordination with reliable archive sources and looks after postproduction archive budgets and schedules.

Jana Asmuth is responsible for the disposition of teams and for the preparation and the organization of shootings. Among other things, she obtains filming permits and draws up detailed schedules for the progress of productions and post-production. Therefore she brings editors, graphic designers, voice actors, composers and sound mixers together. Jana corresponds with broadcasters and editors about delivery contents and deadlines.

Gero Hecker is the prostproduction manager for all taglicht media projects. He checks on the quality of the visual, sound and graphic elements in our documentaries and monitors them closely until their final assembly. He corresponds frequently with our camera crews and sound and graphic engineers to ensure the quality of our productions.

Yeshua Albert is a postproduction supervisor. He contributes to different stages of our prostproduction (such as colour correction, image and sound quality) and corresponds frequently with sound and graphic engineers.

Jana Kasparek organizes all traveling, conference and festival attendance of the company’s management. She is also the person to get in touch with concerning general inquiries or job candidatures.

As an editorial trainee Jana Wilkowski assists our editorial department in various areas and projects. She is involved in the development of new projects, prepares pitch papers and collaborates on exposés and scripts.

Sina Klaus supports the editorial staff in various areas and projects. Her focus is on current affairs and history. She develops, researches and plans projects and deals with current world affairs.

Kasimir Marks supports the editorial staff in various areas and projects. Among other things, he does research and writes pitching papers, helps with film preparation and archive research.

Annika Esch supports the editorial staff in various areas and projects. In particular, she supports the editorial department in the areas of wildlife and nature films and helps with scientific projects. She is also involved in the development of new projects.

Hannah Lueg-Althoff supports the production in various areas and on many projects. She helps with the organization of shooting, editing and finishing of film projects, as well as with costing and project controlling.

Carmen Boles supports the archive department in various areas and projects as part of her traineeship. This includes archive research and coordination as well as the procurement, rights clearance and licensing of material.